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Audio Effects Studio

Load a song, voice note or guitar take, switch on chorus, flanger, phaser, tremolo, vibrato, distortion or bitcrusher, and hear the result instantly while it loops. Drag effects into any order, start from a preset, then download the processed audio as WAV or MP3. Everything runs in your browser.

Last updated:

Demo loop: guitar & drums
0:00 / 0:00
Presets

Effect chain signal flows top to bottom

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    How to use the Audio Effects Studio

    1. Load audio: drop an MP3, WAV, M4A, OGG or FLAC file on the box, or keep the demo loop.
    2. Press Play preview. The audio loops so you can tweak effects while listening.
    3. Pick a preset or switch effects on with the toggles, then adjust Rate, Depth, Mix and the other sliders.
    4. Change the order with the arrow buttons (for example distortion before or after the phaser) and use Compare to hear the original.
    5. Choose WAV or MP3 and press Download with effects to save the processed file.

    How each effect works

    Every effect is built from standard Web Audio building blocks (delay lines, filters, gain stages and low-frequency oscillators, or LFOs), the same ideas used in hardware pedals and studio plug-ins. The preview and the exported file use the exact same processing graph, so what you hear is what you download.

    EffectWhat it changesHow it is madeTypical settings
    ChorusThickness, widthTwo delay lines of 10 to 40 ms, swept in opposite directions by an LFO, panned left and rightRate 0.5 to 1.5 Hz, mix 30 to 50%
    FlangerSweeping comb filterOne 3 to 10 ms delay with feedback, its delay time swept by a slow LFORate 0.1 to 0.5 Hz, feedback 50 to 80%
    PhaserMoving notches2 to 12 all-pass filters in series whose frequency is swept by an LFO, mixed with the dry signal4 to 8 stages, rate 0.2 to 1 Hz
    TremoloVolumeAn LFO (sine, triangle or square) modulates a gain stage4 to 8 Hz for surf guitar, 10+ Hz square for a chopped sound
    VibratoPitchA 100% wet, short delay whose length is modulated, which bends the pitch slightly up and downRate 4 to 6 Hz, low depth for singers
    DistortionHarmonics, gritA wave shaper with a tanh (overdrive), hard-clip or asymmetric fuzz curve, then a tone low-pass filterDrive 20 to 50% for crunch, 70%+ for fuzz
    BitcrusherResolutionQuantizes each sample to 2bits levels and holds every Nth sample (sample-rate reduction)8 bits for lo-fi, 4 bits / 12× for 8-bit games

    The effect chain and why order matters

    Audio passes through the enabled effects from top to bottom. Each effect has a Mix control that blends its processed (wet) signal with the unprocessed (dry) signal it received, except tremolo, which is always fully applied and controlled by Depth. Some useful orders:

    • Distortion first, modulation after: the classic guitar pedalboard order. The phaser or flanger sweeps a steady distorted tone, which sounds clear and musical.
    • Modulation first, distortion after: the sweeping signal drives the distortion harder and softer, a more aggressive, vocal-like result.
    • Tremolo last: the volume pulses stay crisp because no later effect smears them.
    • Bitcrusher last: crushes everything, including chorus and flanger tails, for the most obviously digital sound.

    Tips for clean results

    • Use Compare often. It is easy to overdo modulation; most mixes need less depth than you think.
    • Keep chorus and flanger mix near 50% for the strongest effect: that is where the delayed copy and the original cancel and reinforce most.
    • Choose an Effect tail of 0.5 to 1.5 seconds when the flanger has high feedback, so the last ringing sound is not cut off.
    • For voices, try Warped tape or a gentle chorus; heavy distortion and bitcrushing make speech hard to understand.
    • Need room sound or pitch changes instead? Use Add Reverb to Audio or the Audio Pitch Changer, and shape the tone with the Audio Equalizer.

    Frequently asked questions

    How do I add effects to an audio file online?

    Load the file on this page, press Play preview, then switch on any effect or click a preset. The sound changes live as you move the sliders. When it sounds right, choose WAV or MP3 and press Download with effects. Processing happens in your browser, so the file never leaves your device.

    What is the difference between chorus, flanger and phaser?

    All three mix the sound with a moving copy of itself. Chorus uses a longer delay (about 15 to 35 ms) that gently wobbles, which sounds like several players in unison. Flanger uses a very short delay (about 1 to 10 ms) with feedback, creating a sweeping comb filter often called a jet sound. Phaser does not use a delay line at all; it passes the signal through a chain of all-pass filters whose notches sweep up and down, giving a softer, swirling tone.

    What is the difference between tremolo and vibrato?

    Tremolo changes the volume up and down at a steady rate, like a pulsing amplifier. Vibrato changes the pitch up and down, which this tool creates by modulating a short delay so the audio speeds up and slows down very slightly.

    Does the order of effects matter?

    Yes. Effects are applied from top to bottom. Distortion placed before a phaser or flanger gives the classic guitar-pedal sound, while distortion placed after them distorts the swept signal and sounds harsher. Bitcrushing after a chorus crushes the doubled signal, while crushing first gives a cleaner modulated lo-fi tone.

    What does a bitcrusher do?

    A bitcrusher lowers the bit depth (fewer volume steps, which adds gritty quantization noise) and the sample rate (holding each sample for several samples, which adds metallic aliasing). At 4 to 8 bits and a downsample of 8 to 16 times it sounds like old video game consoles or cheap samplers.

    Why does my exported file sound quieter than the preview?

    Distortion and stacked effects can push peaks above full scale. With Prevent clipping on, the export is lowered just enough to keep peaks at -1 dB, which avoids crackling. Turn it off if you want the exact preview level, or lower the Output slider instead.

    Is there a file size or length limit?

    Files up to 20 minutes and 400 MB are accepted. Long, high sample rate files need more memory, so on phones it is best to cut long recordings first.

    Are all the tools on FreeToolCabin tested for quality and accuracy?

    Yes! Every tool on our site undergoes automated Q/A testing in real browser environments to ensure high precision, correct output, and zero errors. If you happen to spot a bug or have a suggestion, please contact us at [email protected] and our team will review it right away.

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